A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
This type when once established was used for the creation of other
deities, which were all, so to speak, cast in the same mould. As the
intellect became more capable of abstraction and analysis, the
personality and moral individuality of these gods gradually threw off
its astral or physical characteristics, although it never lost all
trace of their existence. It resulted that, both in Egypt and in
Greece, there were deities who were mere entities, the simple
embodiment of some power, some quality, or some virtue. It requires
all the subtle _finesse_ of modern criticism to seek out and
distinguish the obscure roots which attach these divinities to the
naturalistic beliefs of earlier ages. Sometimes absolute certainty is
not to be attained, but we may safely say that a race is polytheistic
when we find these abstract deities among their gods, such deities as
the Ptah, Amen, and Osiris of the Egyptians, and the Apollo and Athenè
of the Greeks.[72]
[72] Several of the bronzes which we reproduce may belong to the
Ptolemaic epoch; but they are repetitions of types and
attributes which had been fixed for many centuries by tradition.
It is in this capacity chiefly that we reproduce them, as
examples of those forms which seemed to the Egyptian imagination
to offer the most satisfactory emblems of their gods.
[Illustration: FIG. 34.--Amen or Ammon, from a bronze in the Louvre.
Height 22·04 inches.]
We may, then, define polytheism as the partition of the highest
attributes of life between a limited number of agents. The imagination
of man could not give these agents life without at the same time
endowing them with essential natural characteristics and with the
human form, but, nevertheless, it wished to regard them as stronger,
more beautiful and less ephemeral than man. The system had said its
last word and was complete, when it had succeeded in embodying in some
divine personality each of those forces whose combined energy produces
movement in the world or guarantees its duration.
When religious evolution follows its normal course, the work of
reflection goes on, and in course of time makes new discoveries. It
refers, by efforts of conjecture, all phenomena to a certain number of
causes, which it calls gods. It next perceives that these causes, or
gods, are of unequal importance, and so it constitutes them into a
hierarchy. Still later it begins to comprehend that many of these
causes are but different names for one thing, that they form but one
force, the application of a single law. Thus by reduction and
simplification, by logic and analysis, is it carried on to recognize
and proclaim the unity of all cause. And thus monotheism succeeds to
polytheism.
[Illustration: FIG. 35.--Ptah, from a bronze in the Louvre. Actual
size.]
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