A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Take, for a moment, the bird to which we have just alluded. The hawk,
like the vulture, plays an important part in Egyptian art. The vulture
symbolizes Maut, the spouse of Amen. It furnishes the sign by which
her name is written, and sometimes, as the symbol of maternity, its
head appears over the brow of the goddess, its wings forming her
head-dress. The goddess Nekheb, who symbolizes the region of the
South, is also represented by a vulture.[79] So it is with the ibis.
It supplies the character by which the name Thoth is written, and that
god is figured with the head of an Ibis. The part played by these
birds in the representation of the gods, both in the plastic arts and
in writing, is to be explained by the sentiments of gratitude and
religious veneration of which they were the objects, sentiments which
were the natural outcome of the practical services which they rendered
to mankind.
[79] PIERRET, _Dictionnaire d'Archéologie Égyptienne_.
[Illustration: FIG. 43.--Rannu (from Wilkinson).]
When the early fathers of the nation first established themselves upon
the banks of the Nile, they found invaluable allies in those energetic
birds of prey, and the alliance has been continued to their latest
descendants. After the annual inundation the damp earth was overrun by
toads and frogs, by snakes and lizards and all kinds of creeping
things. Fishes, left by the retreating flood in pools which were soon
dried up by the blazing sun, perished, and, decomposing, rendered the
air noisome and malarious. In addition to this there were the corpses
of wild and domestic animals, and the offal of every kind which
accumulated round the dwellings of the peasantry and rapidly became
putrid under the sun of Egypt. If left to decompose they would soon
have bred a pestilence, and in those days human effort was not to be
reckoned upon in the work of sanitation. To birds of prey, then, was
assigned the indispensable work of elimination and transformation, an
office which they yet fill satisfactorily in the towns and villages of
Africa. Thanks to their appetite and to the powerful wings which
carried them in a twinkling to wherever their presence was required,
the multiplication of the inferior animals was kept within due limits,
and decomposing matter was recalled into the service of organic life.
Had these unpaid scavengers but struck work for a day, the plague, as
Michelet puts it, would soon have become the only inhabitant of the
country.[80]
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