A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
China, as we have said, does not enter into our purview; and as for
Egypt, the deeper we penetrate into her history the more are we
convinced that her long career was troubled by moments of crisis
similar to those which have come to other human societies. The
narratives of the Greek historians give us reason to suspect that it
was so, and the monuments which have been discovered insist upon the
same truth, and compel us to accept it. For certain epochs these are
very abundant, beautiful, and varied. Afterwards they become rare and
clumsy, or altogether wanting; and again they reappear in great
numbers and in their full nobility, but with a different general
character. These contrasts and temporary eclipses occur again and
again. How, then, can we doubt that here, as elsewhere, there were
alternations of grandeur and poverty, of periods of conquest and
expansion and epochs of civil war or of defeat by foreign invaders?
May we not believe that through the clouds which obscure the causes of
such changes we may catch glimpses of those periods of decadence and
renascence which, following one upon the other, exhausted in the end
the genius of the race?
Let us take a single example--the most striking of all. "After the
sixth dynasty all documents cease; they are absolutely wanting until
the eleventh, the first of the Middle Empire. This is one of those
sudden interruptions in the history of Egypt which may be compared to
the temporary disappearance of those curious rivers which run partly
underground."[88]
[88] M. MELCHOIR DE VOGÜÉ, _Chez les Pharaons_ (_Revue des Deux
Mondes_ of Jan. 15, 1877).
[Illustration: FIG. 47.--Statue from the Ancient Empire, in limestone.
Boulak. Drawn by Bourgoin.]
Public-domain text, read in full here on John Shaqi.
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