A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Thus if we wish thoroughly to understand Greece, we must start from
Memphis and go through Babylon and Nineveh, Tyre and Sidon. But Greece
will be the aim of our voyage, and Egypt will interest us less on her
own account than on account of that unique and unrivalled people who
inherited her inventions and discoveries, and made them the foundation
for a productiveness in which are summarized all the useful labours of
antiquity. Egyptian art will be followed by us down to the moment in
which it lost its creative force and with it its prestige. We shall
rarely have occasion to speak of the Ptolemaic remains of Egyptian
art. Now and then we shall go to them for examples when any particular
detail which we desire to mention has not been preserved for us by
earlier monuments, but even then we shall require to have good reasons
for believing that such detail did in fact originate in the creative
periods of the national history.
The Egypt of the Pharaohs has not even yet been entirely explored. Are
we to believe that the splendid edifices reared in the cities of the
Delta, and especially at Sais, by the twenty-sixth dynasty, have
perished to the last stone? We are loth to think that it is so, but no
remains have yet been discovered. Some day, perhaps, well directed
excavations may bring to light the temples which Herodotus so greatly
admired; and who knows but that we may find in them more than one of
those motives and arrangements which at present are only known to
exist in the buildings of the Ptolemies and of the Roman emperors?
CHAPTER II.
PRINCIPLES AND GENERAL CHARACTERISTICS OF EGYPTIAN ARCHITECTURE.
§ 1.--_Method to be Employed by us in our Study of this Architecture._
In the enterprise which we have undertaken the study of oriental art
is but an introduction to that of Greece. Without an attentive
examination of its remains we should be unable to distinguish the
original elements in the work of the Greek genius from those which it
borrowed from other nations. We must pass in review the whole artistic
production of several great nations who occupied a vast surface of the
globe, and whose fertility was prolonged through a long course of
centuries, but we shall not attempt to describe singly the great
buildings of Egypt and Assyria, of Persia and Phœnicia, as such an
attempt would perhaps cause us to lose sight of the main object of our
work.
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