A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
In studying a natural architecture and in attempting to assign reasons
for its particular characteristics, many circumstances have to be
taken into consideration. The innate genius of the race, the physical
and moral conditions of its development, the perfection of its
civilization, the spirit of its religion, and the ardour of its faith;
none of these must be forgotten, but some of them act in such a
complex fashion that they are extremely difficult to follow. In its
aspirations towards the infinite and the eternal, the Egyptian
religion raised from the surface of the earth many buildings which
varied as greatly in form and aspect as they did in date and
situation. The climatic conditions of the world have changed but
little since the beginning of the historic period, and every nation
has to take them into the first consideration in deciding upon its own
architectural forms and principles. We have here a problem whose data
do not vary, and yet its solutions have not always been the same even
in a single country. Without ever being absolutely incorrect, they
attached themselves now to one principle, now to another, and so gave
much variety to the appearance of successive buildings under one sky
and destined for similar uses.
As for the materials employed, we cannot go so far as to say that
their different properties absolutely determined the characteristics
of Egyptian building in advance. Stone, the chief of all materials,
can lend itself to forms of great variety in principle; and so, too,
can brick and wood. But although no material can narrowly confine a
skilful architect, there are, nevertheless, certain systems and
constructions which are only possible with those which possess certain
properties.
Public-domain text, read in full here on John Shaqi.
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