A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Carpentry, or construction by assemblage, played a considerable part
in ancient Egypt, but, as may easily be understood, few traces of it
are to be found in our day. Those edifices which were constructed of
wood have, of course, all perished; but, in spite of their
disappearance, we can form a very good idea of their aspect and of the
principles of their construction. In the most ancient epoch of
Egyptian art, the people took pleasure in copying, in their stone
buildings, the arrangements which had characterised their work in
wood; besides which, their paintings and reliefs often represent
buildings of the less durable material. The constructive principles
which we have next to notice, have thus left traces behind them which
will enable us to describe them with almost as much accuracy as if the
carpenters of Cheops and Rameses were working before our eyes.
We need not insist upon the characteristics which distinguish
assembled construction from masonry or brickwork. The different parts
of the former are, of course, much more intimately allied than in
buildings constructed of large stones. Supports of dressed stone truly
fixed with the plumb line are perfectly stable of themselves.
In both Egypt and Greece we often come upon a few columns still
standing upright amid their desolate surroundings, and announcing to
the traveller the site of some city or famous temple which has been
long destroyed. But wooden supports have little thickness in
comparison with their height, and the material of which they are
formed, being far less dense than stone, cannot maintain itself in
place by its own weight. It is the same with wooden architraves. The
heaviest beams of wood will not keep their places when simply laid one
upon another, and are in that matter far inferior to those well
dressed stones which, in so many ancient walls, have resisted change
with neither tenons nor cement to help them.
As a general principle, when wood has to be employed to the best
advantage, and endowed with all the solidity and resisting power of
which it is capable, the separate pieces must be introduced one into
another (Fig. 82). But even when thus combined and held in place by
mechanical contrivances, such as bolts and nails, they will never form
a homogeneous and impenetrable mass like brick or stone. By such
methods an open structure is obtained, the voids of which have
afterwards to be filled up by successive additions, and these
additions often take the form of what we call panels.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account