A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[112] WILKINSON thought there was always a layer of stucco, even
upon the beautiful granite of the obelisks (_Manners and Customs
of the Ancient Egyptians_, 2nd ed., 1878, vol. ii. p. 286.) His
statement must be treated with great respect. During his long
sojourn in Egypt he examined the remains of the ancient
civilisation with great care and patience, but yet we think his
opinion upon this point must be accepted with some reserve.
There are in the Louvre certain sarcophagi and other objects in
hard stone, upon which traces of colour are clearly visible on
the sunk beds of the figures and hieroglyphics, while not the
slightest vestige of anything of the kind is to be found upon
the smooth surface around those carvings. But it is certain that
granite was often stuccoed over. MARIETTE has verified that it
was so on the obelisk of Hatasu at Thebes; both from the
inscription and the appearance of the monument itself he came to
the conclusion that it had been gilded from top to bottom, and
that the gold had been laid upon a coat of white stucco. "The
plain surface," he says, "alone received this costly decoration.
It had been left slightly rough, but the hieroglyphs, which had
their beds most carefully polished, preserved the colour and
surface of the granite." (_Itinéraire_, p. 178.) As for
buildings of limestone or sandstone, like the temples of Thebes,
they are always coated.
When Egyptian buildings were new and their colour fresh, this method
of decoration must have given them a most fascinating brilliancy.
Whether the pencil alone were employed to trace the designs upon the
smooth walls, or whether its powers were supplemented by the work of
the chisel, these figures, which succeeded each other in thousands
upon every wall and pillar, mingled with inscriptions which were in
themselves pictures, and dressed in the most vivid colours, must have
at once amused the eye and stirred the brain by the variety of their
tints and of the scenes which they represented. But in spite of its
breadth and vivacity the system had two grave defects.
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