A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
this idea and the tender, grateful, sentiments which it provoked had
been a powerful instrument in the moral improvement of the first-born
of civilization and a bond of union for their civil and domestic life.
We have thought it right to dwell upon this worship of the dead and to
describe its character at some length, because the beliefs upon which
it was based are not to be found so clearly set forth in the art of
any other people. Their most complete, clear, and eloquent expression,
in a plastic form, is to be seen in the tombs which border the Nile.
And why is this so? It is because the Egyptian industries were already
in full possession of their resources at the period when those beliefs
had their strongest hold over the minds and feelings of the people. In
the case of Greece, art did not arrive at its full development until
the worship of the dead had lost its high place in the national
conscience. When the Greek genius had arrived, after much striving, at
its complete power of plastic expression, the gods of Olympus had been
created for several centuries, and art was called upon to interpret
the brilliant polytheism of Homer and Hesiod, to give outward image to
those gods, and to construct worthy dwellings for their habitation.
Sculptors, painters, and architects still worked indeed, at the
decoration of the tomb. They strove to give it beauty of shape and
arrangement, and to adorn its walls with bas-reliefs and pictures;
they designed for it those vases and terra cottas which, in our own
day, have been found in thousands in the cemeteries of Greece and
Italy, but all this was only a subordinate use of their talent. Their
ambition was to build temples, to model statues of Zeus, Pallas, and
Apollo. On the other hand, those distant ages in which primitive and
childish ideas of religion prevailed, had no art in which to manifest
their beliefs with clearness and precision.
It was otherwise in the valley of the Nile. A well provided industry
and an experienced art laid themselves out to interpret the popular
beliefs and to defend the dead against final dissolution, or the
agonies of hunger and thirst. Egypt did not differ from other nations
in its opinions upon the mystery of death. In the infancy of every
race the same notions on this matter are to be found, and in this
respect the only difference between the Egyptians and the rest of the
world is very much to the credit of the former; they rapidly attained
to a degree of civilization which was only reached by other races
after their religious development was comparatively mature. Thanks to
this advantage, they were enabled to push their ideas to consequences
which were not to be attained by tribes which were little less than
barbarous, and they had no difficulty in expressing them with
sufficient force and precision.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account