A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The first and most obvious necessity for the obscure form of life
which was supposed to commence as soon as the tomb had received its
inmate, was the body. No pains, therefore, were spared which could
retard its dissolution and preserve the organs to which the _double_
and the soul might one day return.[126] Embalming, practised as it was
by the Egyptians, rendered a mummy almost indestructible, so long, at
least, as it remained in the dry soil of Egypt. On the warm sands of
Sakkarah and close to the excavations from which the fellahs of the
_corvée_ were returning at the end of their day's labour, we--my
travelling companions and myself--stripped a great lady of the time of
Ramses of the linen cloths and bandages in which she was closely
enveloped, and found her body much in the same condition as it must
have been when it left the workshop of the Memphite embalmer! Her
black hair was plaited into fine tresses; all her teeth were in place
between the slightly contracted lips; the almond-shaped nails of her
feet and hands were stained with henna. The limbs were flexible and
the graceful shapes but little altered under the still firm and smooth
skin, which, moreover, seemed to be still supported by flesh in some
parts. Had it not been for its colour of tarred linen or scorched
paper, and the smell of naphtha which arose from the body and from the
numberless bandages which were strewn about, we might have shared the
sentiment attributed to Lord Evandale in Theophile Gautier's brilliant
_Roman de la Momie_; with an effort of good-will we could almost
sympathise with those emotions of tenderness and admiration which were
excited in the breast of the young Englishman at the sight of the
unveiled charms of that daughter of Egypt whose perfect beauty had
once troubled the heart of the proudest of the Pharaohs.[127]
Public-domain text, read in full here on John Shaqi.
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