A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[162] Upon the plateau which, at Sakkarah, extends westwards of
the stepped pyramid the manner in which the necropolis was
developed can be readily seen. In walking eastwards, that is,
from the pyramid towards the cultivated land, we pass a first
zone of tombs which date from the Ancient Empire, a second which
possesses sculptures of the twenty-sixth dynasty, and a third
which dates from the Greek period.
[163] We may quote as an interesting example of such usurpation
the Theban tomb first opened by a Scottish traveller, HENRY
RHIND, to whose interesting work (_Thebes, its Tombs and their
Tenants, Ancient and Present, with a Record of Excavations in
the Necropolis_, Longman, 1862, 8vo.) we shall often have to
refer. This tomb seems to have been made in the reign of
Amenophis III. by a brother and sister whose statues were found
in it, but it also contained Sebau, son of Menkara, a high
official of the time of the Ptolemies, with his wife and all his
family (c. iv.).
The number of tombs was increased to a prodigious extent by the
non-employment of those family tombs which, as we shall see, were made
use of by the Phœnicians, the Greeks, and the Etruscans. The
Egyptian sepulchre was a personal appanage. The husband and father of
a family admitted into it only his wife and such of their children as
died young. The son, when he in turn became the head of a family,
built a tomb for himself. Each generation, each human couple marked
their passage through the world by the erection of a new tomb.
All the _mastabas_ belong to the period of the Memphite empire. Those
who built them were able to give free play to their fancies, and to
develop the structure, both above and below ground, both in
arrangement and in decoration, to any extent they pleased. We may
therefore look upon them as the freest, the most spontaneous, and the
most complete expression of the ideas formed by the men of that remote
age concerning death and the life beyond the grave.
The mastabas of Sakkarah will receive most of our attention, and in
describing them we shall often have occasion to quote the words of
Mariette.[164] Those which are to be found in the more northern part
of the necropolis, in the neighbourhood of the Great Pyramid, differ
only in unimportant details from those at Sakkarah. The general
appearance now presented by these monuments may be guessed from the
sketch which M. Bourgoin has sent us of the tomb of Sabou (Fig. 106).
The other mastabas figured by us have all been more or less restored.
[164] MARIETTE (_Voyage dans la haute Égypte_, p. 32) thought
that the word Sakkarah was an ancient name derived from
_Socharis_, a Memphite form of _Osiris_.
Public-domain text, read in full here on John Shaqi.
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