A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
"The principal face of the mastaba is turned to the east. In four
cases out of five the entrance to its chambers, when there is one, is
found upon this face. The general arrangement is, almost always, as
follows: 1. At a few metres distance from the _north-eastern_ angle we
come upon a quadrangular niche or recess, very high and very narrow,
in the depths of which those long vertical grooves which distinguish
the steles of this epoch are carved upon the actual masonry of the
tomb. For this recess an unimportant stele, with or without
inscription, is occasionally substituted, or (2) we find, at a few
metres distance from the _south-eastern_ angle, either a deeper,
larger, and more carefully built recess, in the depths of which a
monolithic stele of white limestone covered with hieroglyphs is
placed; or a regular architectural façade in miniature with a door in
the centre. When the recess is found near the southern angle of the
eastern face, the tomb begins and ends there. It has no internal
chamber, or rather, the recess acts as substitute for one. But when,
instead of the niche or recess, we meet with a door, we then know that
we have come upon a regularly completed tomb. The name of its
proprietor is often carved upon the lintel. Several of these lintels,
of a peculiar shape, are to be seen in the Louvre.
[Illustration: FIG. 111.--Lintel of the tomb of Teta, 6th dynasty.
Louvre.]
"Next after the eastern face, in relative importance, comes that which
is turned to the north. When the entrance is in the northern wall the
door is invariably at the back of a kind of vestibule, in front of
which are two monolithic columns, without base or capital, supporting
the architrave which, in turn, supports the roof.
"Still more seldom than in the northern face, the entrance is
occasionally found upon that which is turned to the south. This
exceptional arrangement is, in most instances, caused by some local
circumstance which may readily be perceived. When the entrance is on
the south its arrangement is sometimes the one, sometimes the other,
of the two which we have described.
"As for the western face, we have no evidence that it ever played any
more ambitious _rôle_ than that of completing the inclosure. It is
always destitute of both openings and ornaments."
Public-domain text, read in full here on John Shaqi.
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