A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
As soon as a society had sprung up on the banks of the Nile which
attempted to organize itself under the directing lead of chiefs or
headmen, the latter seem to have been stung by the desire to make
known their final resting-place by some conspicuous sign. The most
simple way of arriving at the desired result was to heap up the earth
over the corpse, so as to form an artificial hillock which should be
visible from a distance over the level plain. This was the origin of
that funerary mound which modern archæologists call a _tumulus_. The
tumulus is to be found in most districts of the ancient as well as of
the modern world. But to confine ourselves to our own province, it is
to be found in pre-Christian times among the Scythians of Herodotus
and our ancestors the Gauls, as well as among the Greeks of the heroic
age. We all know the frequent expression of Homer, σῆμα χεύειν, which
is literally to _display a signal_, that is to say, to accumulate over
the corpse of a warrior a sufficient number of spadefuls of earth to
_signalize_ it, for the worship and admiration of posterity. Tradition
ascribes those tumuli which are yet to be seen on the plain of Troy to
the observance of this custom.
The funerary architecture of Egypt commenced in the same fashion, in
those distant ages which were called by the Egyptians themselves the
times of _Hor-schesou_ or slaves of Horus. We cannot doubt that the
pyramid sprang from the mound. Its birth must have taken place after
Menes had, by uniting the various tribes under his own sceptre, caused
the whole race to take a distinct step onwards in civilization. The
pyramid is but a built mound. It is a tumulus in which brick and stone
take the place of earth. This substitution adds very greatly to its
chances of duration, and makes it a much safer place of deposit and a
much more lasting monument for the body committed to its charge. The
Nile mud, when moulded and dried in the sun, gave bricks which still
remain good; their manufacture and their constructive use seem to have
been understood by the Egyptians as soon as they emerged from
primitive barbarism. Thanks to the facilities thus afforded, they were
enabled to build monuments upon the graves of their rulers which could
offer a better resistance to injuries of time and human enemies than a
few handfuls of earth and grass. They began, perhaps, by placing a few
blocks of stone upon their mounds, so as to fix them more securely, or
by covering them with a thin coat of brickwork. But, after a few
experiments in that direction, they found it better to construct the
whole body of the tumulus in the harder material. Its size increased
with the constructive skill and material appliances of its builders,
until it became first a hillock and finally a mountain of stone, with
the impenetrable rock for its base and flanks of solid masonry.
Public-domain text, read in full here on John Shaqi.
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