A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Even four or five thousand years before our era, men were too
sagacious to reckon upon the piety or gratitude of an heir. For the
closing and final sealing up of the pyramid, its builder and destined
inhabitant was obliged to depend upon his survivors, he could not do
it himself. Moreover, the external completion, which, in the case of
the greater monuments, must have been a long and costly matter, had to
be entrusted to the same hands. The reigning king, so long as he was
not too sternly reminded of the end by disease or the infirmities of
age, must have felt great reluctance to order the cessation of the
work which had gone on under his own eye for so many years, or to
arrest that course of development which, after being a continual
source of pride and pleasure to himself, might end in giving him a
monument surpassing those of his famous predecessors. He was,
therefore, very likely to be surprised by death with his tomb still
unfinished, with the final cope-stone still upon the ground, or, even
when that had been put in place so as to show the total height, with
the casing of polished stone which was destined to hide the inner
courses of the masonry and the entrances, still incomplete. Upon
two-thirds or three-quarters of each face, his pyramid would still
present the aspect which necessarily belonged to it during the period
of its construction; an aspect which has again distinguished the great
pyramid since it was despoiled of its casing. As each course was set
back from that upon which it was placed, the final _ensemble_ looked
like an enormous staircase with steps gradually diminishing in length
as they neared the summit.
There were many of the Egyptian princes who from want of patience or
zeal, or from some other motive, failed to carry on the enterprise of
their predecessors to its destined conclusion. We are ignorant as to
the condition of the three great pyramids of Gizeh at the death of
their projectors. But they appear to have been finished in most of
their details with a care which would seem to indicate that Cheops,
Chephren, and Mycerinus, must have been there to overlook the smallest
details of their execution. Other pyramids, on the other hand, seem to
have been left in a comparatively imperfect state.
Public-domain text, read in full here on John Shaqi.
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