A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
There is no less diversity in the external aspects of the pyramids. We
are most familiar with the shapes of the great pyramids at Gizeh (Fig.
130 and Pl. 1, 2); their images have been multiplied to infinity by
engraving and photography, but we make a great mistake when we imagine
all the royal tombs at Memphis to be built upon this one model. They
do not all present the same simplicity of form, the same regular slope
from summit to base, or the smooth and polished casing which
distinguished those great monuments when they were in complete
preservation. The southern pyramid of Dashour offers us one of the
most curious variations upon the original theme (Fig. 133). Its
angle-ridges are not unbroken straight lines from base to summit. The
slope of its faces becomes less steep at about half their height. The
lower part of its sides make angles of 54° 41' with the horizon, while
above they suddenly fall back to an angle of 42° 59'. This latter
slope does not greatly differ from the 43° 36' of the other pyramid in
the same neighbourhood. No indication has yet been discovered as to
the builder of this pyramid.
A second variation, still more unlike the Gizeh type, is to be found
in the great pyramid of Sakkarah, the Stepped Pyramid, which was
considered by Mariette as the oldest of them all. Taking a passage
from Manetho as his authority, he thought himself justified in
attributing it to the fourth king of the first dynasty, Ouenephes or
Ata, and he was inclined to see in it the Serapeum, or Apis tomb, of
the Ancient Empire. Its present elevation is about 190 feet. Each of
its sides is divided horizontally into six large steps with inclined
faces. The height of these steps decreases progressively, from the
base to the summit, from 38 feet 2 inches to 29 feet 6 inches. The
width of each step is nearly 7 feet. It will be seen, therefore, that
this building rather tends to the pyramidal form than achieves it; it
is a rough sketch for a pyramid.
[Illustration: FIG. 133.--The southern pyramid of Dashour; from the
measurements of Perring.]
[Illustration: FIG. 134.--Section of the Stepped Pyramid; from
Perring.]
Does this want of completion result from accidental causes, or must
it be referred to ignorance of the full beauties of the pyramidal form
on the part of its builders? If the conjecture of Mariette is well
founded, the Stepped Pyramid is not only the most ancient building in
Egypt but in the whole world; and in the remote century which
witnessed its construction men may not yet have learnt to fill up the
angles left in their masonry, they may have been quite satisfied to
leave their work in a condition which to us seems imperfect.
[Illustration: FIG. 135.--The Stepped Pyramid; restored from the
measurements of Perring.]
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