A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The pyramids have never failed to impress the imaginations of those
foreign travellers who have visited Egypt. Their venerable antiquity;
the memories, partly fable, partly history, which were attached to
them by popular tradition; their colossal mass and the vast space of
ground which they covered, at the very gates of the capital and upon
the boundary between the desert and the cultivated land, all combined
to heighten their effect. Those nations who came under the living
influence of Egypt could hardly, then, escape from the desire to
imitate her pyramids in their own manner. We shall find the pyramidal
form employed to crown buildings in Phœnicia, Judæa, and elsewhere.
But the kingdom of Ethiopia, the southern annexe of Egypt and the
copyist of her civilization, was the chief reproducer of the Egyptian
pyramid as it was created by the kings of the ancient empire. Napata,
Meroe, and other places have pyramids which may be counted by dozens.
Like those in Egypt, they are the tombs of the native monarchs.
We shall not attempt any study of these remains. Like all the other
products of Ethiopian art, they are neither original nor interesting.
The people who inhabited the region which we now call by the names of
Nubia and the Soudan, had, indeed, reconquered their political
independence a thousand years before our era, but they were not gifted
by nature with power to assimilate the lessons of their former
masters. Even during the short period when the Ethiopian monarchs
reigned over a divided and weakened Egypt, Ethiopia remained the
clumsy pupil and imitator of the northern people. She never learnt to
give to her royal pyramids the air of grandeur which distinguishes the
great structures of Memphis. The Ethiopian pyramids were generally so
narrow and steep in slope that their whole character was different
from those of Egypt. In Egypt the base line was always greater than
the vertical height, upon the Upper Nile the proportions were
reversed.[201] The latter edifices thus lost some of that appearance
of indestructible solidity which is their natural expression. They
remind one at once of the obelisk and the pyramid. Add to this that an
unintelligent taste overspread them with ill-devised decoration. Thus
the upper part of their eastern faces, for they are oriented,
generally bears a false window surmounted by a cornice, about as
incongruous an ornament as could well be conceived, and one which
expresses nothing either to the eye or the mind.
[201] Thus the Great Pyramid was 482 feet high, while the length
of one side at the base is 764 feet. On the other hand, the
"third pyramid" at Gebel-Barkal (Napata) is 35 feet square at
the base and 60 feet high; the "fifth" is 39 feet square at the
base and nearly 50 feet high. Their proportions are not
constant, but the height of the Nubian pyramids is always far
greater than the length of one side at its base.
Public-domain text, read in full here on John Shaqi.
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