A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
It has been questioned whether the testimony of this Philo is to be
depended upon, as few of those who have busied themselves with the
pyramids seem to have laid much stress upon it. It seems to us to be
worthy of great respect. We do not know when Philo lived, but we know
that the casing of the pyramid was still in place, at least in part,
during the Middle Ages, because in the time of Abd-ul-Latif it had
almost its original height, and its ascent was still very
difficult.[210] On the other hand we have proofs that, although the
author of the Seven Wonders of the World may have written more in the
tone of a rhetorician than of an eyewitness of the wonders which he
describes, he took some of his information from excellent sources. In
fact with the exception of Pliny, he is the only ancient writer who
gives us an approximately true statement of the length of the base
line of Cheops' Pyramid. While the measurements of other writers are
very far from accurate, the figure given by Philo is only 16 feet 6
inches in excess of the truth. The idea of decorating such an expanse
of surface with varied colour was quite in accordance with Egyptian
taste. They loved polychromatic ornaments; they covered every
available surface with the gayest hues; they delighted in the
juxtaposition of the most brilliant tones. They could hardly think of
covering such an immense surface with paint, and as it was necessary,
in any case, to cover it with a smooth casing, it would be no more
difficult to employ many kinds of stone than one. They would thus
obtain a kind of gigantic mosaic which may perhaps have been
heightened in effect by the use of gold. We know that the pyramidion
of an obelisk was frequently gilded, and it is probable enough that
similar means were sometimes taken, in the case of the more
magnificent and carefully finished pyramids, to draw the eye to their
topmost stone and thus to add to the impression made by their height.
No more fitting adornment could be imagined for the sharp peak of a
pyramid rising nearly five hundred feet into the pure blue of an
Egyptian sky.
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