A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We may believe, then, that the pyramid of the ancient empire
terminated in a pyramidion. This apex once fixed in place, the workmen
charged with the final completion of the edifice worked downwards from
one course to another, covering the immense steps which each face
displayed five or six thousand years ago and now displays again, with
the final casing which protected them for so many centuries. Even
Herodotus saw that this must have been the method of completion.[217]
Any other way of proceeding would have been too dangerous after the
slope of the sides had been made smooth and continuous by the
completion of the casing of polished granite. Workmen could only have
kept their footing upon such a surface, with its 51 or 52 degrees of
elevation, by means of a complicated arrangement of ropes and ladders.
And again, points of resistance could not have been obtained for the
elevation of the materials to ever increasing heights without cutting
or leaving holes in the casing, which would afterwards have to be
filled up. These difficulties would have unnecessarily complicated an
operation which was a simple matter when begun from the top. The
masons could then make use of the steps for their own locomotion, and
when the stones were too large to be lifted from hand to hand, nothing
could be easier than to fix windlasses by which the largest blocks
could be raised with facility.
[217] Ἐξεποιήθη δ' ὦν τὰ ἀνώτατα αὐτῆς πρῶτα, μετὰ δὲ τὰ ἑπόμενα
τούτων ἐξεποίευν ... (ii. 125).
As the workmen approached the base they left above them an ever
increasing extent of polished surface, sloping at such an angle that
no foot could rest upon it, and forming the only safeguard against the
degradation of the pyramid by removing its copestone or its violation
by breaking into the passages which led to the mummy-chamber. The
casing gave to the pyramid those continuous lines which were necessary
to make its beauty complete, and, if the materials employed were
varied in the way suggested, it furnished colour effects which had
their beauty also. But, above all, it was a protection, a defensive
armour. So long as the pyramid preserved its cuirass intact, it was
difficult for those who meditated violence to know where to begin
their attack. But this obstacle once pierced it was comparatively easy
to learn all the secrets of the building. The inner mass was much less
carefully built than the casing; the joints were comparatively open,
and the stones were soft and easily cut. Hence we see that some
pyramids, especially those which were built of bricks, have been
reduced by the action of time into heaps of _débris_, in which the
pyramidal form is hardly to be recognised.
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