A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The subterranean tombs for which the first Theban Empire had shown so
marked a preference, became firmly seated in public favour during the
succeeding centuries. We do not know what the funeral customs may have
been during those centuries when the Hyksos, or shepherd kings, were
masters of Egypt; but, after their expulsion, the great Theban
dynasties, the eighteenth, the nineteenth, and the twentieth, by whom
the glory of Egyptian arms and culture was spread so widely, hardly
made use of any sepulchre but the chamber hollowed laboriously in the
rocky sides of that part of the Libyan chain which lies to the west of
Thebes. Every traveller visits the royal tombs which lie in the gloomy
ravine called the _Bab-el-Molouk_, or the Gate of the Kings. The
valley is about three miles in length and has a mean width of about
eleven hundred yards; its sides are riddled with galleries penetrating
more or less deeply into the mountains, and starting sometimes from
the slopes, sometimes from the base of the cliffs, which here and
there attain a height of 400 feet. The word speos seeming to the
Greeks to give an inadequate idea of the depth of these excavations
and of their narrow proportions, they called them συρίγγες or pipes;
and modern archæologists have often employed the same picturesque term
in speaking of the Theban tombs. Five-and-twenty of these tombs are
royal; the rest belong to wealthy subjects, priests, warriors, and
high officers of state. In extent and richness of ornament some of the
latter are in no way inferior to the tombs of the sovereigns.
Our studies must first, however, be directed to the royal tombs,
because in them we find the most original types, the most important
variations upon those which have gone before. In them the art of the
New Empire gives a clearer indication of all the changes which the
progress of ideas had brought about in the Egyptian conception of a
future life. In them, too, the Egyptian taste for ample dimensions and
luxuriant decoration is more freely indulged. The architects of Seti
and Rameses had resources at command far beyond those of which their
early rivals could dispose. They were, therefore, enabled to indulge
their employers' tastes for magnificence, and to give to certain
parts of the tomb a splendour which had been previously unknown. And
such parts were never those upon which the pyramid builders had
lavished most of their attention.
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