A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
In order that this blessing of undisturbed peace in his eternal
dwelling should be secured, the royal tomb seems to have been
constructed without any such external show as would call attention to
its situation. The tombs of private individuals usually had a walled
courtyard in front of them to which access was obtained by a kind of
porch, or tower, with inclined sides and crowned by a small pyramid.
But the explorers, Belzoni, Bruce and others, who disengaged the
entrances to the royal tombs, found them without propylæa of any
kind.[246] The doorway, cut vertically in the rock, is of the utmost
simplicity, and we have every reason to suppose that, after the
introduction of the mummy, it was carefully masked with sand and rocky
_débris_.[247]
[246] In many cases the sites are wanting for such external
constructions. The fine tomb of Seti I., for instance, opens
upon a ravine which is filled with the waters of a mountain
torrent at certain seasons.
[247] When Belzoni's workmen found the entrance to the tomb of
Seti, they declared that they could not advance any farther,
because the passage was blocked with big stones to such an
extent as to be impracticable (_Narrative of the Operations and
Recent Discoveries within the Pyramids, &c., in Egypt and
Nubia_, 1820, 4to.). Mariette also believed that as soon as the
mummy was in place, the external door was closed and earth
heaped against it in such a way as effectually to conceal it. It
is thus that the clashing between the tomb of Rameses III. and
another is accounted for. The workmen did not see the entrance
of the latter, and were, in fact, unaware of its existence until
they encountered it in the bowels of the rock. (_Voyage dans la
Haute-Égypte_, t. ii. p. 81.)
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