A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
In the sarcophagus-chamber Belzoni discovered a contrivance of the
same kind as that which had failed to stop him almost upon the
threshold of the tomb. The sarcophagus of oriental alabaster was in
place, but empty; the lid had been raised and broken.[251] From the
sound given out by the floor when struck the explorer perceived that
there must be a hollow space under the base of the sarcophagus. He cut
a hole and brought to light the first steps of a staircase, which led
to an inclined plane by which the interior of the mountain was deeply
penetrated. A wall had been raised at the foot of these steps, beyond
which a settlement of the superincumbent rock put an end to all
advance after a distance of fifty-one yards had been traversed. Is it
not possible that Belzoni only discovered a false sarcophagus, placed
to deceive unbidden visitors like himself, and that the mummy was
deposited, and still lies, in a chamber at the end of this corridor?
The point at which the fallen rock arrested his progress is four
hundred and eighty-three feet from the external opening, and about one
hundred and eighty below the level of the valley. At such a depth, in
these narrow and heated galleries, where there is no ventilation and
where the smoke of the torches rapidly becomes stifling, it is not
astonishing that, in spite of his admirable perseverance, Belzoni held
his hand before completing the exploration.[252]
[251] This beautiful sarcophagus is now in the Soane
Museum.--ED.
[252] Belzoni believed that this passage led again into the open
air; that it was, in fact, another entrance to the tomb. "I
have," he says, "reasons to think so;" but he does not give his
reasons.
Public-domain text, read in full here on John Shaqi.
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