A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
But yet all this work was not labour lost. These pictures, in which
the details change continually from one tomb to another, were all
inspired by a single desire, and all tended to the same end. Like
those which we have found in the tombs of the Ancient Empire, they had
a sort of magic virtue, a sovereign power to save and redeem. The
personages and articles of food represented on the mastabas were
shadows of people and shadows of material sustenance, destined for the
service and the food of a shadow, the _double_ of the defunct
proprietor of the tomb. The all-powerful influence of prayer and
faith, working through Osiris, turned these shadows into realities.
[Illustration: FIG. 182.--Entrance to the tomb of Rameses III. (From
Horeau, pl. 21.)]
Representations of this kind are common enough in the royal tombs of
Thebes. It will suffice if we notice those which are still to be seen
in the sepulchre of Rameses III., in the series of small chambers in
the first two passages. Like the hunting scene which we take from the
walls of a private tomb (Fig. 183), these pictures have, beyond a
doubt, the same meaning and value as those in the mastaba. But in the
Theban tombs their significance is only secondary. Ideas had
progressed to some purpose since the days of the Memphite kings. Both
in its general arrangement and in the details of its ornamentation,
the sepulchres in the Bab-el-Molouk gave expression to the new, more
philosophical, and more moral conception which had come to overlie the
primitive beliefs.
The first conception was that of the double, inhabiting the tomb, and
kept alive in it by sacrifice and prayer. But in time the Egyptians
would appear to have realized that the double was not the only thing
that remained after the death of a human unit. Their powers of
apprehension were quickened, in all probability, by that high moral
instinct of which the oldest pages of their literature give evidence.
Good or bad, every man had a double, the continuance and prosperity of
which depended in no way upon his merits or demerits. Unless the just
and the unjust were to come to one and the same end, something more
was wanting. This something was the soul (_ba_). Instead of vegetating
in the interior of the tomb, this soul had to perform a long and
difficult subterranean journey--in imitation of the sun and almost
upon his footsteps--during which it had to undergo certain tests and
penances. From this period of trial it would emerge with more or less
honour, according to its conduct during the few short years passed by
it on earth and in company with the body to which it had belonged. It
had to appear before the tribunal of Osiris-Khent-Ament, the Sun of
Night, around whose seat the forty-two members of the infernal jury
were assembled.[255]
Public-domain text, read in full here on John Shaqi.
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