A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
[42] In all ages the rod has, in Egypt, played an important part
in the collection of the taxes. In this connection M. Lieblein
has quoted a passage from the well-known letter from the chief
guardian of the archives of Ameneman to the scribe Pentaour, in
which he says: "The scribe of the port arrives at the station;
he collects the tax; there are agents with rattans, and negroes
with branches of palm; they say 'Give us some corn!' and they
are not to be repulsed. The peasant is bound and sent to the
canal; he is driven on with violence, his wife is bound in his
presence, his children are stripped; as for his neighbours, they
are far off and are busy over their own harvest." (_Les Récits
de Recolte dans l'ancienne Égypte, comme Éléments
chronologique_, in _Recueil de Travaux relatifs à la Philologie
et à l'Archéologie égyptiennes et assyriennes_, t. i. p. 149).
[Illustration: FIG. 4.--Harvest scene; from a tomb at Gizeh.
(Champollion, pl. 417.)]
The first condition of civilization is a certain measure of security
for life. Now, thanks to the beneficent action of the king of rivers,
that condition was created sooner in Egypt than elsewhere. In the
valley of the Nile man found himself able, for the first time, to
calculate upon the forces of nature and to turn them to his certain
profit. It is easy then to understand that Egypt saw the birth of the
most ancient of those civilizations whose plastic arts we propose to
study.
[Illustration: FIG. 5.--The Bastinado; Beni-Hassan. (Champollion, pl.
390.)]
Another favourable condition is to be found in the isolation of the
country. The tribes who settled there in centuries so remote that they
are beyond tradition and even calculation, could live in peace, hidden
as it were in a narrow valley and protected on all sides, partly by
deserts, partly by an impassable sea. It would perhaps be well to give
some idea of the natural features of their country before commencing
our study of their art. The terms, _Lower-_, _Middle-_, and
_Upper-Egypt_, the _Delta_, and _Ethiopia_ will continually recur in
these pages, as also will the names of Tanis and Sais, Memphis and
Heliopolis, Abydos and Thebes, and of many other cities; it is
important therefore that our readers should know exactly what is meant
by each of these time-honoured designations; it is necessary that they
should at least be able to find upon the map those cities which by
their respective periods of supremacy represent the successive epochs
of Egyptian history.
Public-domain text, read in full here on John Shaqi.
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