A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Mariette places the accession of Ména or Menes at about the fiftieth
century before our era, while Bunsen and other Egyptologists bring
forward his date to 3,600 or 3,500 B.C. as they believe some of the
dynasties of Manetho to have been contemporary with each other.
Neither Mariette nor Maspero deny that Egypt, in the course of its
long existence, was often partitioned between princes who reigned in
Upper and Lower Egypt respectively; but, guided by circumstances
which need not be described here, they incline to believe that Manetho
confined himself to enumerating those dynasties which were looked upon
as the legitimate ones. The work of elimination which has been
attempted by certain modern _savants_, must have been undertaken, to a
certain extent, in Egypt itself; and some of the collateral dynasties
must have been effaced and passed over in silence, because the
monuments still remaining preserve the names of reigning families
which are ignored by history.
Whatever may be thought of this initial date, Egypt remains, as has
been so well said by M. Renan, "a lighthouse in the profound darkness
of remote antiquity." Its period of greatest power was long anterior
to the earliest traditions of the Greek race; the reign of Thothmes
III., who, according to a contemporary expression, "drew his frontiers
where he pleased," is placed by common consent in the seventeenth
century, B.C. The Egyptian empire then comprised Abyssinia, the
Soudan, Nubia, Syria, Mesopotamia, part of Arabia, Khurdistan, and
Armenia. Founded by the kings of the eighteenth dynasty, this
greatness was maintained by those of the nineteenth. To this dynasty
belonged Rameses II., the Sesostris of the Greeks, who flourished in
the fifteenth century. It was the superiority of its civilization,
even more than the valour of its princes and soldiers, which made
Egypt supreme over Western Asia.
Public-domain text, read in full here on John Shaqi.
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