A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
During the long sequence of centuries which we have divided into three
great periods, the national centre of gravity was more than once
displaced. The capital was at one time in Middle Egypt, at another in
Upper, and at a third period in Lower Egypt, in accordance with its
political necessities. At one period the nation had nothing to fear
from external enemies, at others it had to turn a bold front to Asia
or Ethiopia. At various times Egypt had to submit to her foreign foes;
to the shepherd invaders, to the kings of Assyria and Persia, to the
princes of Ethiopia, and finally to Alexander, to whom she lost her
independence never again to recover it. And yet it appears that the
character and social condition of the race never underwent any great
change. At the time of the pyramid-builders, Egypt was the most
absolute monarchy that ever existed, and so she remained till her
final conquest.
"Successor and descendant of the deities who once reigned over the
valley of the Nile, the king was the living manifestation and
incarnation of God: child of the sun (_Se Râ_), as he took care to
proclaim whenever he wrote his name, the blood of the gods flowed in
his veins and assured to him the sovereign power."[57] He was _the
priest_ above all others. Such a form of worship as that of Egypt,
required no doubt a large sacerdotal class, each member of which had
his own special function in the complicated and gorgeous ceremonies in
which he took part; but the king alone, at least in the principal
temples, had the right to enter the sanctuary and to open the door of
the kind of chapel in which the symbolical representation of the
divinity was kept; he alone saw the god face to face, and spoke to him
in the name of his people.[58] The pre-eminent dignity of this
priestly office did not, however, prevent the king from taking his
proper share in war or political affairs generally. The army of
scribes and various functionaries, whose titles may still be read upon
the most ancient monuments of the country, depended upon him for their
orders from one end of the country to the other, and in war, it was he
who led the serried battalions of the Egyptian army. The king was thus
a supreme pontif, the immediate chief of all civil and military
officers; and, as the people believed that his career was directed by
the gods with whom he held converse, he became to them a visible deity
and, in the words of an inscription, "the representative of Râ among
the living." His divinity, begun on earth, was completed and rendered
perpetual in another life. All the dead Pharaohs became gods, so that
the Egyptian pantheon obtained a new deity at the death of each
sovereign. The deceased Pharaohs thus constituted a series of gods to
whom the reigning sovereign would of course address himself when he
had anything to ask; hence the monuments upon which we find living
Pharaohs offering worship to their predecessors.[59]
Public-domain text, read in full here on John Shaqi.
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