A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
This absolute power, however, does not seem, speaking generally, to
have been put in force in a hard or oppressive manner either by the
king himself or by his agents. M. Maspero and others who, like him,
live in intimate communion with the ancient Egyptians, declare that
they were by no means unhappy. They tell us that the confidences
whispered to them in the pictured tomb-houses of Sakkarah and Memphis
complain of no misery, from the time of Mena to that of Psemethek,
except during a few violent reigns and a few moments of national
crisis. The country suffered only on those comparatively rare
occasions when the sceptre passed into the hands of an incapable
master or into those of some insatiable warrior who thought only of
satisfying his own ambition, and sacrificed to the day the resources
of the future. Egypt, with her river, her teeming soil and her
splendid climate, found life easy as long as she enjoyed an easy and
capable administration. She then gave to her princes almost without an
effort all they could desire or demand.
It was one of the fundamental principles of Egyptian morality that
those who were powerful should treat the poor and feeble with kindness
and consideration. Their sepulchral inscriptions tell us that their
kings and princes of the blood, their feudal lords and functionaries
of every grade, made it a point of honour to observe this rule. They
were not content with strict justice, they practised a bountiful
charity which reminds us of that which is the chief beauty of the
Christian's morality. The "Book of the Dead"--that passport for
Egyptians into the other world which is found upon every mummy--gives
us the most simple, and at the same time the most complete description
of this virtue. "I have given bread to the hungry, I have given water
to the thirsty, I have clothed the naked ... I have not calumniated
the slave in the ears of his master." The lengthy panegyrics of which
some epitaphs consist, are, in reality no more than amplifications of
this theme. "As for me, I have been the staff of the old man, the
nurse of the infant, the help of the distressed, a warm shelter for
all who were cold in the Thebaïd, the bread and sustenance of the
down-trodden, of whom there is no lack in Middle Egypt, and their
protector against the barbarians."[64] The prince Entef relates that
he has "arrested the arm of the violent, used brute force to those who
used brute force, showed hauteur to the haughty, and lowered the
shoulders of those who raised them up," that he himself on the other
hand, "was a man in a thousand, wise, learned, and of a sound and
truthful judgment, knowing the fool from the wise man, paying
attention to the skilful and turning his back upon the ignorant, ...
the father of the miserable and the mother of the motherless, the
terror of the cruel, the protector of the disinherited, the defender
of those whose goods were coveted by men stronger than themselves, the
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