A History of Art in Ancient Egypt, Vol. 1 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 1 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
We need feel no surprise therefore at the vivacity with which one of
the most learned of the historians of Egypt, Brugsch-Bey, protests
against the common misconception of the Egyptians "as a race grave,
serious, morose, exclusive, religious, thinking much of the next
world, and little of this; living, in a word, like the Trappists of
former days. Are we to believe," he cries, "that this majestic river
and the fertile soil through which it flows, this azure sky with its
unclouded sun, produced a nation of living mummies, a race of solemn
philosophers who looked upon life in this world as a burden to be
shuffled off as quickly as possible? Travel over Egypt; examine the
scenes painted and sculptured upon the walls of sepulchral chambers;
read the inscriptions carved upon stone or traced in ink upon the
rolls of papyrus, and you will find yourself compelled to modify the
false notions you have imbibed as to the Egyptian philosophers.
Nothing could be more cheerful, more amusing or more frank, than the
social life of this pleasure-loving people. Far from wishing to die,
they prayed to the gods for a long life and a happy old age; they
prayed that, 'if possible, they might live to the perfect age of one
hundred and ten.' They were addicted to all kinds of pleasures. They
drank, they sang, they danced, they were fond of excursions into the
country, where the sports of hunting and fishing were specially
reserved for the upper class. As a natural effect of this desire for
enjoyment, gay conversation and pleasantry which was sometimes rather
free, jokes and what we should call chaff, were much in vogue: even
their tombs were not sacred from their desire for a jest."[67]
[67] BRUGSCH-BEY, _Histoire d'Égypte_, pp. 14, 15.
Public-domain text, read in full here on John Shaqi.
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