A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
If we examine the doorways of the temples themselves we shall there
also find great variety in the manner in which they are combined
architecturally with the walls in which they occur.
[Illustration: FIG. 149.--Gateway in the inclosing wall of a Temple.
Restored by Ch. Chipiez.]
In the Temple of Khons the jambs of the door are one, architecturally,
with the wall. The courses are continuous. The lintel alone, being
monolithic, has a certain independence (Fig. 150). In the Temple of
Gournah, on the other hand, the doorway forms a separate and
self-contained composition. The jambs are monoliths as well as the
lintel, and the latter, notwithstanding the great additional weight
which it has to carry, does not exceed the former in section. At
Abydos, on the other hand, the capital part which this stone has to
play is indicated by the great size of the sandstone block of which it
is composed (Fig. 154).
[Illustration: FIG. 150.--Doorway of the Temple of Khons.
_Description_, iii. 54.]
[Illustration: FIG. 151.--Doorway of the Temple of Gournah.
_Description_, ii. 42.]
One of the doorways we have represented, that in Fig. 146, requires to
be here mentioned again for a moment. Its lintel is discontinuous. The
doorway in question dates from the Ptolemaic period, but there is
undoubted evidence that the same form was sometimes used in the
Pharaonic period for the openings in inclosing walls. There is a
representation of such a door in a bas-relief at Karnak, where it is
shown in front of a pylon and forms probably an opening in a boundary
wall.[141] It was this representation that decided us to give a broken
lintel to the doorway opposite to the centre of the royal pavilion at
Medinet-Abou (Plate VIII.). This form of entrance may have originated
in the desire to give plenty of head-room for the canopy under which
the sovereign was carried, as well as for the banners and various
standards which we see figured in the triumphal and religious
processions of the bas-reliefs (Fig. 172, Vol. I.).
[141] PRISSE, _Histoire de l'Art Égyptien_.
[Illustration: FIG. 152.--Doorway of the Temple of Seti, at Abydos.]
WINDOWS.
[Illustration: FIGS. 153, 154.--Windows in the Royal Pavilion at
Medinet-Abou.]
The royal pavilion at Medinet-Abou is the only building in Egypt which
has preserved for us those architectural features which we call
windows. They differ one from another, even upon this single building,
as much as the doors. One of them (Fig. 153) is enframed like the
doorway at Gournah; but the jambs are merely the ends of the courses
which make up the wall, and their salience is very slight. On the
other hand a window frame with a very bold relief (Fig. 154) is to be
found in the same building. This window is a little work of art in
itself. It is surmounted by a cornice, over which again appear various
emblems carved in stone, making up one of the most graceful
compositions to be found in Egyptian architecture.
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