A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The use of these _claustra_, full of variety though they were in the
hands of a skilful architect, were not the only methods of lighting
their temples to which the Egyptians had recourse. They were helped in
their work, or, in the case of very small chambers, replaced, by
oblique or vertical openings contrived in the roof itself. These
oblique holes are found in the superior angles of the hypostyle hall
at Karnak (Fig. 159). After the roof was in place it was seen, no
doubt, that the _claustra_ did not of themselves give enough light for
the huge chamber, and these narrow openings were laboriously cut in
its ceiling. One of the inner chambers of the Temple of Khons is
feebly lighted by vertical holes cut through the slabs of the roof
(Fig. 160). Similar openings are to be seen in the lateral aisles of
the hypostyle hall in the Ramesseum. The slight upward projection
which surrounds the upper extremities of these holes should be
noticed (Fig. 161). Finally there are buildings in which these
openings are the only sources of illumination. This is notably the
case in the Temple of Amada. The upper part of our plan (Fig. 162)
represents the roof of that temple and the symmetrically arranged
openings with which it is pierced.
[Illustration: FIG. 158.--Method of lighting in one of the inner halls
of Karnak. Compiled from the plans and elevations of the
_Description_.]
[Illustration: FIG. 159.--Auxiliary light-holes in the Hypostyle Hall
at Karnak. _Description_, iii. 26.]
[Illustration: FIG. 160.--Method of lighting one of the rooms in the
Temple of Khons. _Description_, iii. 55.]
[Illustration: FIG. 161.--Light openings in a lateral aisle of the
Hypostyle Hall in the Ramesseum. From a photograph.]
The Ptolemaic Temple of Edfou is much more generously treated in the
matter of light. Its flat roof is pierced by two large rectangular
openings resembling the _compluvium_ of a Pompeian house, and making
it, in a certain sense, hypæthral. No example of such an arrangement
has been met with in the Pharaonic temples. It is possible that its
principle was directly borrowed from the Greeks. It is hardly so
consistent with the national ideas and traditions as the _claustra_.
[Illustration: FIG. 162.--The Temple of Amada.]
[Illustration: FIG. 163.--_Claustra_, from a painting.]
Palaces and private houses were, as we have said, better lighted than
the temples. The illustrations in the preceding chapter show private
houses with their windows. Some of those houses had windows formed of
stone _claustra_. The window copied by Champollion[142] from the walls
of a small chamber in the Temple of Thothmes at Medinet-Abou (Fig.
163), shows this, as well as an opening in the house illustrated in
Fig. 19, which we here reproduce upon a larger scale (Fig. 164). We do
the same for a window belonging to the building shown in Fig. 1. It is
closed by a mat which was raised, no doubt, by means of a roller and
cords (Fig. 165).
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