A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
"The fact that bronze was employed in Egypt in very ancient times has
long been ascertained. The knob from the Sceptre of Papi, a Pharaoh of
the sixth dynasty, which exists in the British Museum, is enough to
prove this fact. M. Chabas has called our attention to the fact that
bronze is mentioned in texts which date from a period anterior to the
construction of the great Pyramids.[187]
[187] CHABAS, _Sur l'Usage des Bâtons de Main_, p. 12. (Lyons,
8vo, 1875.)
[Illustration: FIG. 178.--Wooden statue in the Louvre. Three feet
eight inches high. Drawn by Saint-Elme Gautier.]
"That the earliest Egyptian bronzes representing the human figure
are much older than was formerly thought, is proved by two statuettes
belonging to M. Gustave Posno. One of these is twenty-six inches high,
the other nineteen. They merit a short description: 'No 1: A man
standing; left foot forward, the left hand closed and raised to a
level with the breast. This hand, doubtless, held a spear. The right
hand which hangs straight down by the thigh formerly clasped, in all
probability, the small sceptre which is represented in many
bas-reliefs. The loins are girt with the garment called the _schenti_,
the band of which supports a dagger. The hair is arranged into regular
rows of small square knobs. The eyes and eyebrows, which were inlaid,
have disappeared (Fig. 179).'[188]
[188] Catalogue of the Posno Collection, No. 468.
[Illustration: FIG. 179.--Bronze statuette. Two feet two inches high.
Drawn by Saint-Elme Gautier.]
"'No 2: A man standing; his loins girt with the _schenti_, his left
foot forward, his right hand raised to the level of his breast, the
left hanging by his left thigh. The inlaid eyes and eyebrows have been
abstracted. His hair, which is less abundant than that of his
companion and allows the contour of his head to be easily seen, is
arranged into very small knobs. A vertical inscription on the left
side of his chest gives the name of the personage, in or after which
appears the ethnic _Schasou_, which seems to indicate an Oriental
origin.' The Schasous are mentioned in several Egyptian texts and seem
to have occupied the country which bordered Egypt on the North-East
(Fig. 180)."[189]
[189] _Ibid._, No. 524.
"In these two statuettes the muscles of the arms and legs, and the
articulation of the knees, are expressed with a care and truth which
denote a very remote age. We cannot fail to recognize a phase of art
earlier than the Second Empire. But if the first mentioned figure
recalls, by its features and the management of the hair, the
sculptures in stone of the fifth and sixth dynasties, the second
cannot, perhaps, be referred to quite such an early period. In the
latter the vertical line of the back and right leg slopes slightly
forward, betraying an attempt to express movement; the dorsal line of
the first figure is, on the other hand, quite perpendicular.
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