A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
"Huge full-bottomed wigs, arranged into thick tresses, cover the heads
of the two figures. Their hard and strongly-marked features
(unfortunately much broken) bear a great resemblance to those of the
lion-maned sphinxes. The upper lips are shaven but the cheeks and
chins are covered with long wavy beards. Each of them sustains on his
outstretched arms an ingenious arrangement of fishes, aquatic birds,
and lotus flowers.
"No monument can be referred with greater certainty than this to the
disturbed period when the Shepherds were masters of Egypt. It is
difficult to decide upon its exact meaning. In spite of the mutilation
which prevents us from ascertaining whether they bore the _uræus_ upon
their foreheads, it cannot be doubted that the originals of the two
statues were kings. In after years Psousennes put his cartouche upon
the group, which assuredly he would never have done if he believed it
to represent two private individuals. But who could the two kings have
been who were thus associated in one act and must therefore have been
contemporaries?"
[Illustration: FIG. 209.--Head and shoulders of a Tanite Sphinx in
black granite. Drawn by G. Bénédite.]
This explanation seems to carry with it certain grave objections. It
is not, in the first place, so necessary as Mariette seems to think
that we should believe them to be kings. Similar objects--fishes, and
aquatic flowers and birds--are grouped in the same fashion upon works
which, to our certain knowledge, neither come from Tanism or date from
the Shepherd supremacy. Their appearance indicates an offering to the
Nile, and we can readily understand how Psousennes claimed the merit
of the offering by inscribing his name upon it, even although he were
not the real donor.
Mariette does not hesitate to ascribe to the same series a figure
discovered in the Fayoum, upon the site of the city which the Greeks
called Crocodilopolis (Fig. 212). He describes it thus:--[216]
[216] _Notice du Musée de Boulak_, No. 2.
"Upper part of a broken colossal statue, representing a king standing
erect. No inscription.
"The general form of the head, the high cheek-bones, the thick lips,
the wavy beard that covers the lower part of the cheeks, the curious
wig, with its heavy tresses, are all worthy of remark; they give a
peculiar and even unique expression to the face. The curious ornaments
which lie upon the chest should also be noticed. The king is covered
with panther skins; the heads of two of those animals appear over his
shoulders.
[Illustration: FIG. 210.--Group from Tanis; grey sandstone. Drawn by
Bourgoin.]
"The origin of this statue, which was found at Mit-fares in the
Fayoum, admits of no doubt. The kings who decorated the temple at
Tanis with the fine sphinxes and groups of fishermen which I found
among its ruins, must also have transported the vigorous fragments
which we have before our eyes to the other side of Egypt."
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