A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Obliged to draw the line somewhere we have not reproduced this figure,
but in Plate XI. we give a female head, discovered by Mariette at
Karnak, and believed to be that of Taia, the queen of Amenophis III.
Whether rightly named or not, this colossal fragment is one of the
masterpieces of Egyptian sculpture.[227]
[227] MARIETTE, _Voyage dans la Haute-Égypte_, vol. ii. p. 31.
Mariette enumerates various reasons for believing Taia to have been
neither of royal nor even of Egyptian blood. She might have been
Asiatic; the empire of her husband extended as far as Mesopotamia. The
point has little importance, but as M. Charmes says, "when we stop in
admiration before the head of Taia, at Boulak, we feel ourselves
unconsciously driven by her charms ... to forge a whole history, an
historical romance, of which her enigmatic personality is the centre
and inspiration, and to fancy her the chief author of these religious
tragedies which disturbed her epoch and left a burning trace which has
not yet disappeared."[228]
[228] G. CHARMES, _De la Réorganisation du Musée de Boulak_.
M. Charmes here alludes to the changes which Amenophis IV. wished to
introduce into the national religion when he attempted to destroy the
name and images of Amen, and to replace them with those of a solar
god, who was represented by a symbol not previously encountered in the
monuments (Fig. 2). If Mariette's hypotheses remain uncontradicted by
later discoveries, we may admit Taia to be the mother of Amenophis
IV., and to her influence in all probability would her son's denial
and persecution of the great Theban deity be due. Our present
interest, however, is with the features of Amenophis. They have been
faithfully handed down to us by the artists employed at
Tell-el-Amarna.[229] By the help of these bas-reliefs a statuette in
yellow steatite, now in the Louvre (Fig. 216), has been recognized as
a portrait of this Pharaoh. Its workmanship is very fine.
[229] _Denkmæler_, vol. vi. plates 91-111. The curious ugliness
of this king is most clearly shown in plate 109.
[Illustration: FIG. 215.--Thothmes III. British Museum. Red granite.
Drawn by Saint-Elme Gautier.]
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