Mariette was right in insisting upon this difference. "The temples," he says, "hardly contain a statue which is not votive. Sometimes these statues are found irregularly distributed about the foundations or in the sand, sometimes they are of large size and are arranged along the walls, but they hardly ever exceed the life-size of a man. _I cannot say that each temple had a figure which could be specially called the statue of that temple._ The divine images were plentiful enough; but each had its own particular ministration. In the prayers addressed to it the name of its consecrator was always included. _Such a thing as a statue forming the central object of a temple and representing its god without votive appropriation did not, perhaps, exist._"[264] [264] MARIETTE, _Notice du Musée_, p. 16. See also his _Catalogue Général_, c. i. Figures of Sekhet, the goddess with the head of a lioness, have been discovered in hundreds in the building at Karnak known as the Temple of Mouth, or Maut. This mine of statues has been worked ever since 1760, and all the museums of Europe have shared the results.[265] Being so numerous these statues could not have reached great excellence of execution. They were devotional objects produced in mechanical fashion, and there is little chance of finding a masterpiece of sculpture among them. In an inscription at Karnak we find Thothmes III. boasting of having endowed the temple with a statue of Amen "such that no other temple could show one equal to it."[266] This Amen must have excelled its rivals in richness of material and in perfection of polish. It is unlikely that it was much superior to them in nobility or true beauty. [265] MARIETTE (_Karnak_, p. 15) calculated that this temple, whose major axis from the pylon to the sanctuary hardly exceeded 300 feet in length, must have contained 572 statues, all in black granite, and differing but little in size and execution. If placed in rows against the walls, and here and there in a double row, their elbows would almost have touched one another. The first and second courts, and the two long corridors which bound the temple to the east and west, were full of them. One of these figures is represented in our Fig. 39, Vol. I. [266] MARIETTE, _Voyage dans la Haute-Égypte_, vol. ii. p. 25. The position occupied by the statue in the cella of a Greek temple finds something like a parallel, however, in the rock-cut temples of Nubia. We allude to these groups of three or four figures, carved in the living rock, which have been found seated in the farthest recesses at Ipsamboul, Derri, and elsewhere. These figures are now so mutilated that their merit as works of art cannot be decided.