A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
Although we have no evidence to show that the Egyptians understood the
use of clay models, we have some idea of the process by which they
were enabled to do without them, and of the nature of their
professional education. The chief Egyptian museums possess works which
have been recognized as graduated exercises in the technique of
sculpture. They are of limestone, and of no great size--from four to
ten inches high. The use of these little models is shown to have been
almost universal by the fact that Mariette found them on nearly every
ancient site that he excavated. Their true character is beyond
doubt.[321] At Boulak there are twenty-seven sculptured slabs which
were found at Tanis. One is no more than a rough sketch, just begun.
By its side is a completed study of the same subjects. Some of these
slabs are carved on both sides; on others we find one motive treated
twice, side by side, once in the state of first sketch, and again as a
finished study. The plaques which bear the heads of cynocephali, of
lions and lionesses, are remarkable for the freedom of their execution
(Figs. 260, 261, and 262).[322] The same may be said of fifteen royal
heads found at Sakkarah. They should be examined together. They
range[323] in order from No. 623, which is a roughly-blocked-out
sketch, to 637, a finished head. One of these models is divided down
the middle, so as to give accent to the profile. A few of them are
squared in order to test the proportions. But even here no canon of
proportion is to be found. "If the squares were based upon some
unchanging unit, they would be identical in every model in which they
occur. But in one of these heads we find three horizontal divisions
between the uræus and the chin; in another four. In most cases the
number of the squares seems to have been entirely due to the
individual caprice or convenience of the artist. There are but two
examples in which another rule seems to have been followed; in them
the proportions of the squares are identical, and their intersections
fall upon the same points. All that may be fairly deduced from this,
however, is that they are the work of the same hands."[324] A second
series of royal heads was found at Tanis; others have been discovered
in the Fayoum. Boulak also possesses models of the ram, the jackal,
and the uræus, of arms, legs, hands, &c. Upon a plaque from Tanis the
figure of Isis appears twice, once as a sketch and once as a finished
study.
[321] MARIETTE, _Notice du Musée_, Nos. 623-688.
[322] Nos. 652-654 of the _Notice du Musée_.
[323] In the Boulak catalogue.
[324] MARIETTE, _La Galerie de l'Égypte Ancienne à l'Éxposition
du Trocadéro_, pp. 69, 70.
[Illustration: FIG. 260.--Head of a Cynocephalus.]
[Illustration: FIG. 261.--Head of a Lion.]
[Illustration: FIG. 262.--Head of a Lioness.]
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