A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
These flint knives, therefore, are not necessarily anterior to the
commencement of Egyptian history, that is to say to the first
dynasties mentioned by Manetho. Moreover, Herodotus tells us that it
was with a flint knife that the Egyptian embalmer made his first
incision upon the corpse entrusted to him.[379] It would, then, be
difficult to distinguish between prehistoric flint objects and those
which belong to the civilization whose remains we are now studying,
while our examination of the latter leads us quite as deeply into the
past as we desire to go.
[379] HERODOTUS, ii. 86.
Even under the earliest dynasties the Egyptians were metal-workers.
Several bronze objects are in existence which date at least from the
end of the Ancient Empire,[380] and in the bas-reliefs of the tomb of
Ti, we see smiths directing the flame, by means of long tubes, upon
the block of metal which they are forging (Fig. 21, Vol. I.). This is
a kind of elementary blow-pipe, such as those still used by certain
savage tribes.
[380] See page 197.
The Egyptians began by making use of pure copper, which they could
obtain from Sinai and other mines within easy reach. Various
indications allow us to conclude that they were long ignorant of the
fact that by mixing it with a little tin its hardness could be
enormously increased.[381] In any case, they had certainly discovered
the secret during the fifth, or, at latest, the sixth, dynasty. As to
where they found the tin, we can say nothing positively. No deposit of
that metal is known either in Egypt or in the neighbouring countries.
It may possibly have come from India, passing through various hands on
its way. In later years the Phœnicians brought it from Spain and the
southern shores of Britain. The metal must then have become common
enough, and it was used in large quantities by the Egyptian founders.
Thus when the pavement of the room in the north-western corner of the
Temple of Rameses III. at Medinet-Abou was raised, nearly a thousand
bronze statues, all representing Osiris, were found. The existence of
this deposit bears witness to the Egyptian habit of sanctifying the
site of a new temple by sowing it broad-cast with sacred images.[382]
[381] See BIRCH, notes to Wilkinson's _Manners and Customs_,
vol. ii. p. 232, edition of 1878.
[382] MARIETTE, _Itineraire_, p. 210.
Bronze was employed for all kinds of domestic purposes. The graceful
mirror-handle reproduced below (Fig. 308) is in the Boulak Museum. So
too, are the bronze hair-pin (Fig. 309) and the curiously designed
dagger (Fig. 310).
The analysis of various specimens of Egyptian bronze shows that the
proportion of tin which it contained was not constant. It varies from
about five to fifteen per cent.[383] Traces of iron are also found in
it.
[383] WILKINSON, _Manners and Customs_, etc. vol. ii. pp. 232
and 401.
[Illustration: FIG. 308.--Mirror-handle.]
[Illustration: FIG. 309.--Bronze hair-pin.]
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