A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The appearance of this burial place, or _cachette_ as Maspero calls
it, the nature of the things found in it and of those which should
have been found there but were not, prove that its existence had been
known to the Arabs and fellaheen of the neighbourhood for many years.
Miss Edwards believes that the mummy of Queen Aah-hotep, which was
found in the sand behind the temple of Dayr-el-Bahari in 1859, came
out of the Her-Hor vault. The contrast between the magnificence of
that mummy, the beauty of its jewels, and the care which had
evidently been expended upon it on the one hand, and the rough and
ready hiding-place in which it was found, on the other,[406] was so
great that it was difficult to believe that it had never had a more
elaborate tomb; and now the discovery of the outer coffin of the same
queen in the pit at Dayr-el-Bahari, goes far to complete the proof
that Aah-hotep was disposed of after death like other members of her
race, and that the exquisite jewels which were found upon her, were
but a part of treasures which had been dispersed over the world by the
modern spoilers.[407] The tomb contained about six thousand objects in
all, of which but a few have as yet been completely described. Among
those few, however, there are one or two which add to our knowledge of
Egyptian decoration.
[406] See page 29, Vol. I.
[407] For a description of these jewels by Dr. BIRCH, and
reproductions of them in their actual colours, see _Facsimile of
the Egyptian Relics Discovered in the Tomb of Queen Aah-hotep_.
London: 1863, 4to. See also above, page 380, footnote 387, of the
present volume.
Not the least important are the mummy cases of the Queens Aah-hotep
and Nefert-ari. Originally these were identical in design, but one is
now considerably more damaged than the other. The general form is
similar to that of an Osiride pier, the lower part being terminal and
the upper shaped like the bust, arms, and head of a woman. The mask is
encircled with a plaited wig, above which appear two tall plumes,
indicating that their wearer has been justified before Osiris, while
the shoulders and arms are enveloped in a kind of net. The whole case
is of _cartonnage_, and the net-like appearance is given by glueing
down several layers of linen, which have been so entirely covered with
hexagonal perforations as to be reduced to the condition of a net,
over the smooth surface beneath. The interior of each hexagon has then
been painted blue, so that in the end we have a yellow network over a
blue ground. Both colours are of extreme brilliancy. The plaiting of
the wig and the separate filaments of the plumes are indicated in the
same way as the network. These mummy cases are, so far as we can
discover, different from any previously found.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account