A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The first travellers who visited Egypt in modern times were struck
with the colossal size of some buildings and of a few monoliths, and
jumped to the conclusion that the Egyptians were peculiarly skilled in
mechanics and engineering. They declared, and it has been often
repeated, that this people possessed secrets which were afterwards
lost; that many an Archimedes flourished among them who excelled his
Syracusan successor. All this was a pure illusion. Their only machines
seem to have been levers and perhaps a kind of elementary crane.[70]
The whole secret of the Egyptians consisted in their unlimited command
of individual labour, and in the unflinching way in which they made
use of it. Multitudes were employed upon a single building, and kept
to their work by the rod of the overseer until it was finished. The
great monoliths were placed upon rafts at the foot of the mountains in
which they were quarried, and floated during the inundation by river
and canal to a point as near as possible to their destined sites. They
were then placed upon sledges to which hundreds of men were harnessed,
and dragged over a well-oiled wooden causeway to their allotted
places. Fig. 43, which is taken from a hypogeum of the twelfth
dynasty, gives an excellent idea of the way in which these masses of
granite were transported. In this picture we see one hundred and
seventy-two men arranged in pairs and, to use a military term, in four
columns, dragging the sledge of a huge seated colossus by four
ropes.[71] This colossus must have been about twenty-six feet high, if
the pictured proportions between the statue and its convoy may be
taken as approaching the truth. Upon the pedestal stands a man, who
pours water upon the planks so that they shall not catch fire from the
friction of so great a mass.[72] The engineer, who presides over the
whole operation, stands upright upon the knees of the statue and
"marks time" with his hands. At the side of the statue walk men
carrying instruments of various kinds, overseers armed with rattans,
and relays of men to take the place of those who may fall out of the
ranks from fatigue. In the upper part we see a numerous troop of
Egyptians carrying palm branches, who seem to be leading the
procession.
[70] WILKINSON, _Manners and Customs_, etc., vol. ii. p. 309. In
speaking of the pyramids Herodotus mentions what seems to have
been a kind of crane, but he gives us no information as to its
principle or arrangement (ii. 125).
[71] The painting in question dates from the reign of
Ousourtesen II. and was found at El-Bercheh, a short distance
above the ruins of Antinoë.
[72] The position of this man and the general probabilities of
the case suggest perhaps, that his jar contains oil rather than
water.--ED.
[Illustration: FIG. 43.--Transport of a colossus (Wilkinson, vol. ii.,
p. 305).]
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