A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The Greek capital, in all its forms, thoroughly fulfils these double
conditions, while that of Egypt satisfies them in a very imperfect
manner. Let us take the ancient polygonal column as an example. The
feeble tablet which crowns its shaft neither opposes itself frankly to
the upright lines below it, nor, in the absence of an echinus, is it
happily allied with the shaft. It gives, however, a greater appearance
of constructive repose to the architrave than the latter would have
without it.
In the column which terminates in a lotus-bud the capital is of more
importance, but the contrast between it and the shaft is often very
slightly marked. At Luxor and Karnak the smooth capital seems to be
nothing more than an accident, a gentle swelling in the upper part of
the cone; besides which it really plays no part in the construction,
as the surface of the abacus above it is no greater than a horizontal
section through the highest and most slender part of the shaft.
[Illustration: FIG. 97.--The Nymphæa Nelumbo; from the _Description de
l'Égypte_; _Hist. Naturelle_, pl. 61.]
Of all the Egyptian capitals, that which seems the happiest in
conception is the campaniform. This capital, far from being folded
back upon itself, throws out a fine and bold curve beyond the shaft.
But we are surprised and even distressed to find that the surface thus
obtained is not employed for the support of the architrave, which is
carried by a comparatively small cubic abacus, which rests upon the
centre of the capital. At Karnak and Medinet-Abou this abacus is not
so absurdly high as it afterwards became in the Ptolemaic period,[107]
but yet its effect is singular rather than pleasant. We feel inclined
to wonder why this fine calyx of stone should have been constructed if
its borders were to remain idle. It is like a phrase commenced but
never finished. Without this fault the composition, of which it forms
a part, would be worthy, both in proportion and in decoration, of
being placed side by side with the most perfect of the Greek columns.
[107] A good idea of this can be gained from the building known
as _Pharaoh's bed_, at Philæ. It is shown on the right of our
sketch at p. 431, Vol. I.
The last or, it may be, the first question, which is asked in
connection with the form of column employed by any particular race,
has to do with its origin. We have preferred to make it the last
question, because we thought that the analysis of form which we have
attempted to set forth would help us to an answer. There are many
difficulties in the matter, but after the facts to which we have
called attention, it will not be denied that the forms of wooden
construction, which were the first to be developed in Egypt, had a
great effect upon work in stone.
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