A History of Art in Ancient Egypt, Vol. 2 (of 2)Perrot, Georges
History
A History of Art in Ancient Egypt, Vol. 2 (of 2)
Perrot, Georges
Art -- Egypt -- History; Egypt -- Antiquities
The combination of quadrangular with Osiride piers and of the latter
with columns proper was also productive of great variety. In the speos
of Gherf-Hossein six Osiride piers are inclosed by six of quadrangular
section (Fig. 116). In the first court at Medinet-Abou a row of
Osiride piers faces a row of columns (Fig. 117), while in the second
court there is a much more complicated arrangement. The lateral walls
of the court are prefaced each by a row of columns. The wall next the
entrance has a row of Osiride piers before it; while that through
which the pronaos is gained has a portico supported by, first, a row
of Osiride piers, and, behind them, by a row of columns (Fig. 118).
[Illustration: FIG. 115.--Second Hypostyle Hall in the temple of
Abydos. _Description_, iv. 36.]
[Illustration: FIG. 116.--Hall in the speos of Gherf-Hossein (from
Prisse).]
[Illustration: FIG. 117.--Medinet-Abou; first court.]
[Illustration: FIG. 118.--Medinet-Abou; second court.]
In the temple of Khons the peristyle is continued past the doorway in
the pylon (Fig. 119), and the inclosure is reached through one of the
intercolumniations.[122] At Luxor, on the other hand, the portico was
brought to an abrupt termination against the salient jambs of the
doorway (Fig. 120).
[122] This is a mistake. By a reference to Fig. 208, Vol. I., or
to Fig. 126 in this volume, it will be seen that the peristyle
was not continued along the inner face of the pylon.--ED.
[Illustration: FIG. 119.--Portico of the Temple of Khons, looking
towards pronaos.]
[Illustration: FIG. 120.--Portico of first court at Luxor.]
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