A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Another danger lay in the violence of the sudden storms and the diluvial
character of the winter rains. Doubtless the outsides of the walls were
faced with well burnt bricks, carefully set, and often coated with an
impenetrable enamel; but an inclined plane of a more or less gentle
gradient wound from base to summit to give access to the latter. When a
storm burst upon one of these towers, this plane became in a moment the bed
of a torrent, for its outer edge would, of course, be protected by a low
wall. The water would pour like a river over the sloping pavement and
strike violently against each angle. Whether it were allowed to flow over
the edges of the inclined plane or, as seems more probable, directed in its
course so as to sweep it from top to bottom, it must in either case have
caused damage requiring continual watchfulness and frequent repairs. If
this watchfulness were remitted for an instant, some of the external burnt
and enamelled bricks might become detached and leave a gap through which
the water could penetrate to the soft core within, and set up a process of
disintegration which would become more actively mischievous with every year
that passed. The present appearance of these ruins is thus, to a great
extent, to be explained. Travellers in the country agree in describing them
as irregular mounds, deeply seamed by the rains; and the sides against
which the storms and waterspouts that devastate Mesopotamia would chiefly
spend their force are those on which the damage is most conspicuous (see
Fig. 37).
Even in antique times these buildings had suffered greatly. In Egypt, when
the supreme power had passed, after one of those periods of decay that were
by no means infrequent in her long career, into the hands of an energetic
race of princes like those of the eighteenth or twenty-sixth dynasties, all
traces of damage done to the public monuments by neglect or violence were
rapidly effaced. The pyramids could take care of themselves. They had seen
the plains at their feet covered again and again with hordes of barbarians,
and yet had lost not an inch of their height or a stone of their polished
cuirass. Even in the temples the setting up of a few fallen columns, the
reworking of a few bas-reliefs, the restoration of a painting here and
there, was all that was necessary to bring back their former splendour.
[Illustration: FIG. 37.--Babil, at Babylon. From Oppert.]
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