A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Materials and a system of construction such as those we have described
could only result, in a close style of architecture, in a style in which
the voids bore but a very small proportion to the solids. And such a style
was well suited to the climate. In the long and burning summers of
Mesopotamia the inhabitants freely exchanged light for coolness. With few
and narrow openings and thick walls the temperature of their dwellings
could be kept far lower than that of the torrid atmosphere without.[158]
Thus we find in the Ninevite palaces outer walls of from fifteen to
five-and-twenty feet in thickness. It would have been very difficult to
contrive windows through such masses as that, and they would when made have
given but a feeble light. The difficulty was frankly met by discarding the
use of any openings but the doors and skylights cut in the roofs. The
window proper was almost unknown. We can hardly point to an instance of its
use, either among Assyrian or Chaldaean remains, or in the representations
of them in the bas-reliefs. Here and there we find openings in the upper
stories of towers, but they are loop-holes rather than windows (Fig.
38).[159]
[Illustration: FIG. 38.--A Fortress. From Layard.]
At first we are inclined to pity kings shut up within such blind walls as
these. But we must not be betrayed into believing that they took no
measures to enjoy the evening breeze, or to cast their eyes over the broad
plains at their feet, over the cities that lay under the shadows of the
lofty mounds upon which their palaces were built. At certain times of the
year and day they would retire within the shelter of their thickest walls
and roofs; just as at the present moment the inhabitants of Mossoul,
Bassorah, and Bagdad, take refuge within their _serdabs_ as soon as the sun
is a little high in the heavens, and stay there until the approach of
evening.[160]
Public-domain text, read in full here on John Shaqi.
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