A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
The roofs of Assyrian buildings must have required the same kind of
treatment, and we know that in the present day it is actually practised. M.
Place mentions rollers of limestone, weighing from two to three
hundredweight, pierced at each end with a square hole into which wooden
spindles were inserted to facilitate their management.[196] A certain
number of these rollers were found within the chambers, into which they
must have fallen with the roofs. As soon as the terraces ceased to receive
the care necessary for keeping down the weeds and shrubs and keeping out
the water, the process of disintegration must have been rapid. The rains
would soon convert cracks into gaping breaches, and at the end of a few
years, every storm would bring down a part of the roof. A century would be
enough to destroy the vaults, and with them the upper parts of the walls to
which they were closely allied by the skill of the constructor. The
disappearance of the archivolts and the great heaps of _debris_ are thus
accounted for. The roof materials were too soft, however, to damage in
their fall the figures in high relief or in the round that decorated the
chambers beneath, or the carved slabs with which their walls were lined. In
spreading itself about these sculptures and burying them out of sight and
memory, the soft clay served posterity more efficiently than the most
careful of packers.
Among the first observers to suspect the truth as to the use of the vault
in Mesopotamia, were Eugene Flandin, who helped Botta to excavate the
palace of Sargon,[197] and Felix Thomas,[198] the colleague of M. Place.
The reasons by which M. Thomas was led to the conclusion that the rooms in
the Ninevite palaces were vaulted, are thus given by M. Place, who may be
considered his mouthpiece.[199]
He does not deny that some of the Khorsabad reliefs bear the marks of fire,
but he affirms, and that after the experience of four digging campaigns,
that the conflagration was much less general than might be supposed from
the statements of some travellers. He failed to discover the slightest
trace of fire in the hundred and eighty-four rooms and twenty-eight courts
that he excavated. The marvellous preservation of the reliefs in many of
the halls is inconsistent, in his opinion, with the supposition that the
palace was destroyed by fire; and if we renounce that supposition the mere
action of time is insufficient to account for the disappearance of such an
extent of timber roofing, for here and there, especially near the doorways,
pieces of broken beams and door panels have been found. "The wood is not
all in such condition as the incorruptible cedar of the gilded palm-trees,
but wherever it certainly existed, traces of it may be pointed out. In
advanced decomposition it is no more consistent than powder, it may be
picked up and thrown aside, leaving a faithful cast of the beam or post to
which it belonged in the more tenacious clay."
Public-domain text, read in full here on John Shaqi.
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