A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Ctesiphon on the Tigris, so that there was no lack of opportunity for the
study of Oriental architecture on the very spot where it was born. They
could judge of and admire the beauty it certainly possessed when the great
buildings of Mesopotamia were still clothed in all the richness of their
decoration. The genius of the Greeks had come nigh to exhausting the forms
and combinations of the classic style; it was tired of continuous labour in
a narrow circle and sighed for fresh worlds to conquer. We can easily
understand then, how it would welcome a system which seemed to afford the
novelty it sought, which seemed to promise the elements of a new departure
that might be developed in many, as yet unknown, directions. If we put
ourselves at this point of view we shall see that Isidore and Anthemius,
the architects of St. Sophia, were the disciples and perpetuators of the
forgotten masters who raised so many millions of bricks into the air at the
bidding of Sargon and Nebuchadnezzar.[208]
Whatever may be thought of this hypothesis, there seems to be little doubt
that the Assyrians knew how to pass from the barrel vault to the
hemispherical, and even to the elliptical, cupola. As soon as they had
discovered the principle of the vault and found out easy and expeditious
methods of setting it up, all the rest followed as a matter of course.
Their materials lent themselves as kindly to the construction of a dome as
to that of a segmental vault, and promised equal stability in either case.
As to their method of passing from the square substructure to the dome we
know nothing for certain, but we may guess that the system employed by the
Sassanids (see Fig. 54) was a survival from it. It is unlikely that timber
centerings were used to sustain the vaults during construction. Timber was
rare and bad in Chaldaea and men would have to learn to do without it. M.
Choisy has shown--as we have already mentioned--that the Byzantine
architects built cupolas of wide span without scaffolding of any kind, each
circular course being maintained in place until it was complete by the mere
adherence of the mortar.[209]
Public-domain text, read in full here on John Shaqi.
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