A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
If we admit that architects made no use of columns to afford intermediate
support to the heavy roofs, we may at first be inclined to believe that
wooden ceilings were only used in very narrow apartments, for we can hardly
give a length of more than from twenty-four to twenty-seven feet to beams
that were called upon to support a thick covering of beaten earth as well
as their own weight.[222] Perhaps, however, the skill of their carpenters
was equal to increasing the span and rigidity of the beams used by a few
simple contrivances. One of these is shown in our Fig. 60, a diagram
composed by M. Chipiez to give an idea of the different methods of
construction used by, or, at least, at the command of, the Assyrian
builder.
All the rooms were surmounted by flat roofs, and our horizontal sections
show how these roofs were accommodated to the domes or the timber ceilings
by which they were supported. On the left of the engraving semicircular
vaults are shown, on the right a timbered roof. The arrangement of the
latter is taken from an Etruscan tomb at Corneto, where, however, it is
carried out in stone.[223] A frame like this could be put together on the
spot and offered the means of covering a wider space with the same
materials than could be roofed in by a horizontal arrangement. Further back
rises one of those domes over square substructures whose existence seems to
us so probable. Behind this again opens one of the courts by which so much
of the area of the palace was occupied. The composition is completed by a
wall with parapet and flanking towers.
[Illustration: FIG. 59.--Fortress; from Layard's _Monuments_, 1st Series.]
After considering the method employed for roofing the palace apartments, we
come naturally to investigate their system of illumination. In view of the
extravagant thickness of their walls it is difficult to believe that they
made use of such openings as we should call windows. The small loop-holes
that appear in some of the bas-reliefs near the summits of towers and
fortified walls were mere embrasures, for the purpose of admitting a little
air and light to the narrow chambers within which the defenders could find
shelter from the missiles of an enemy and could store their own arms and
engines of war (see Fig. 59). The walls of Khorsabad even now are
everywhere at least ten feet high, and in some parts they are as much as
fifteen, twenty, and five-and-twenty feet, an elevation far in excess of a
man's stature, and they show no trace of a window. Hence we may at least
affirm that windows were not pierced under the same conditions as in modern
architecture.[224]
[Illustration: FIG. 60.--Crude brick construction; compiled by Charles
Chipiez.]
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