A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Penetrating the roof at various points these cylinders would afford a
passage for the outer air to the heated chamber within, while a certain
quantity of light would be admitted at the same time. The danger arising
from the rains could be avoided to a great extent by giving them a slightly
oblique direction. To this very day the Turkish bath-houses over the whole
of the Levant from Belgrade to Teheran, are almost universally lighted by
these small circular openings, which are pierced in great numbers through
the low domes, and closed with immovable glasses. Besides which we can
point to similar arrangements in houses placed both by their date and
character, far nearer to those of Assyria. The Sassanide monuments bear
witness that many centuries after the destruction of Nineveh the custom of
placing cylinders of terra-cotta in vaults was still practised. In spite of
its small scale these circles may be distinguished in the woodcut of the
Sarbistan palace which we have borrowed from Coste and Flandin (Fig.
54).[226]
These same writers have ascertained that the architects of Chosroes and
Noushirwan employed still another method of lighting the rooms over which
they built their domes. They gave the latter what is called an "eye," about
three feet in diameter, through which the daylight could fall vertically
into the room beneath. This is the principle upon which the Pantheon of
Agrippa is lighted; the only difference being one of proportion. In
Persia, the diameter of the eye was always very small compared to that of
the dome. If we are justified in our belief that the constructors of the
Parthian and Sassanide palaces were no more than the perpetuators of
systems invented by the architects of Nineveh and Babylon, the Assyrian
domes also may very well have been opened at the summit in this fashion. In
the bas-relief reproduced in our Fig. 42, the two small cupolas are
surmounted with caps around a circular opening which must have admitted the
light. Moreover, the elaborate system of drainage with which the
substructure of an Assyrian palace was honeycombed would allow any rain
water to run off as fast as such a hole would admit it.[227]
Whatever may be thought of these conjectures, it is certain that the
architects of Nineveh--while they did not neglect accessory sources of
illumination--counted chiefly upon the doors to give their buildings a
sufficient supply of light and air. As M. Place says, when we examine the
plans of Sargon's palace at Khorsabad we are as much astonished at the size
of the doorways as at the thickness of the walls.[228]
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