A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Though practically absent from the great brick palaces, the column here
played an important and conspicuous part. It furnished elegant and richly
decorated supports for canopies of wool that softly rose and fell with the
passing breeze. Fair carpets were spread upon the ground beneath, others
were suspended to cross beams painted with lively colours, and swept the
earth with the long and feathered fringes sewn upon their borders.
[Illustration: FIG. 69.--The Seal of Sennacherib. Cylinder of green
feldspar in the British Museum.]
The difference was great between the massive buildings by which the
Mesopotamian plains were dominated, and these light, airy structures which
must have risen in great numbers in Chaldaea and Assyria, here on the banks
of canals and rivers or in the glades of shady parks, there on the broad
esplanades of a temple or in the courts of a royal palace. Between the
mountains of clay on the one hand and these graceful tabernacles with their
slender supports and gay coverings on the other, the contrast must have
been both charming and piquant. Nowhere else do we find the distinction
between the house and the tent so strongly marked. The latter must have
held, too, a much more important place in the national life than it did
either in Egypt or Greece. The monarch spent most of his time either in
hunting or fighting, and his court must have followed him to the field.
Moreover, when spring covers every meadow with deep herbage and brilliant
flowers, an irresistible desire comes over the inhabitants of such
countries as Mesopotamia to fly from cities and set up their dwellings amid
the scents and verdure of the fields. Again, when the summer heats have
dried up the plains and made the streets of a town unbearable, an exodus
takes place to the nearest mountains, and life is only to be prized when it
can be passed among the breezes from their valleys and the shadows of their
forest trees.
[Illustration: FIG. 70.--Type of open architecture in Assyria; composed by
Charles Chipiez.]
Even in our own day the inhabitants of these regions pass from the house to
the tent with an ease which seems strange to us. At certain seasons some of
the nomad tribes betake themselves within the walls of Bagdad and Mossoul
and there set up their long black tents of goats' hair.[247] Judging from
the bas-reliefs they did the same even in ancient Assyria; in some of these
a few tents may be seen sprinkled over a space inclosed by a line of walls
and towers.[248] Abraham and Lot slept in their tents even when they dwelt
within the walls of a city.[249] Lot had both his tent and a house at
Sodom.[250] Every year the inhabitants of Mossoul and the neighbouring
villages turn out in large numbers into the neighbouring country, and,
during April and May, re-taste for a time that pastoral life to which a
roof is unknown.
Public-domain text, read in full here on John Shaqi.
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