A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
[253] This inscription is published in full in the _Cuneiform Inscriptions
of Western Asia_, vol. v. part ii.
[254] The names of these three deities are furnished by the inscription
which runs beneath the canopy of the pavilion (see Fig. 71).
[255] The disk upon the table is enough by itself to betray the identity of
the god, but as if to render assurance doubly sure, the artist has taken
the trouble to cut on the bed of the relief under the three small figures,
an inscription which has been thus translated by MM. OPPERT and MENANT:
"Image of the Sun, the Great Lord, who dwells in the temple of Bit-para, in
the city of Sippara."
[256] See our _History of Art in Ancient Egypt_, vol. ii. chap. 1, Sec. 1.
[257] PLACE, _Ninive_, vol. i. pp. 120-122, and vol. iii. plate 73.
[258] In this connection Sir H. LAYARD makes an observation to which the
attention of the artist should be drawn. Whenever pictures of _Belshazzar's
Feast_ and the _Last Night of Babylon_ are painted massive Egyptian pillars
are introduced: nothing could be more contrary to the facts (_Discoveries_,
p. 581).
[259] M. PLACE, indeed, encountered an octagonal column on the mound of
Karamles, but the general character of the objects found in that excavation
led him to conclude positively that the column in question was a relic from
the Parthian or Sassanide epoch (_Ninive_, vol. ii. pp. 169, 170).
[260] _History of Art in Ancient Egypt_, vol. ii. p. 95.
[261] _Ibid._ vol. i. p. 397, fig. 230; and vol. ii. p. 105, fig. 84.
[262] The profiles of the capitals in this gallery led Sir H. LAYARD to
speak of "small pillars with capitals in the form of the Ionic volute"
(_Discoveries_, p. 119) (?).
[263] A similar arrangement of volutes may be found on the rough columns
engraved upon one of the ivory plaques found at Nimroud (LAYARD,
_Monuments_, &c., first series, plate 88, fig. 3).
[264] We reproduce this capital from RAWLINSON'S _Five Great Monarchies_
(vol. i. p. 333); but we should have liked to be able to refer either to
the relief in which it occurs, or to the original design which must have
been made in the case of those slabs which had to be left at Nineveh. We
have succeeded in finding neither the relief nor the drawing, so that we
cannot guarantee the fidelity of the image.
[265] See _Art in Ancient Egypt_, vol. ii. p. 120, fig. 95.
[266] LAYARD forgets to give the height of this base: he is content to tell
us that its greatest diameter is 2 feet 7 inches, and its smallest 11-1/2
inches. This latter measurement must have been taken at the junction with
the shaft (_Discoveries_, p. 590).
[267] George SMITH, _Assyrian Discoveries_, sixth edition, 8vo. 1876, p.
431.
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