A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In the preceding pages we have determined the _role_ played by the column
in Assyria, and have explained that in spite of the care and taste lavished
upon some of its details, it never rose above the rank of a secondary and
subordinate member. There is nothing, then, to surprise us in the fact that
the Assyrian architect never placed his arches or vaults upon columns or
piers; he seems never to have had a glimpse of the great possibilities such
a procedure involved, a procedure from which upon the very soil of the
East, his remote descendants were to evolve the architecture of the
Byzantine church and the Arab mosque. His archivolts and the pendentives of
his vaults always rest upon thick walls, and yet almost every variety of
the simple arch or tunnel-vault are to be found among the ruins of his
buildings.
* * * * *
[Illustration: FIG. 89.--Tomb-chamber at Mugheir; from Taylor.]
Like all the other forms of Assyrian architecture the arch was invented in
Chaldaea. The use of small sized materials must have led to its early
discovery in that country. But the only arches now standing occur in the
better preserved monuments of Assyria. On the other hand the tombs of Lower
Chaldaea furnish more than one example of that false, corbelled or off-set
vault, that we have already encountered in Egypt.[280] The chamber figured
below is taken from the necropolis of Mugheir, formerly "Ur of the
Chaldees." It is built of crude brick bound with mud. The vault is
supported by walls sloping upwards and outwards like those of a modern
tunnel (Fig. 89).[281]
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