A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
In Chaldaea and Assyria the conditions were different. Supposing the
architecture of those two countries to be yet entire, should we find in it
vaults rivalling in age the arch in a tomb at Abydos which Mariette
attributes to the sixth dynasty?[294] Probably not. So far as we can judge,
Chaldaean civilization does not date from so remote a past as that of Egypt,
but it appears certain that the principles of the vault were discovered and
put in practice by the Chaldees long before the comparatively modern times
in which the segmental and pointed arches of Nineveh were erected. The
latter alone are preserved because they have been hidden during all these
centuries under the heaped-up ruins of the buildings to which they
belonged, while those of Chaldaea have been carried away piece by piece, and
their materials used again and again by the modern population of
Mesopotamia.
In spite, however, of the absence of such direct evidence, we may affirm
without fear that the Chaldaean architects soon discovered the principle of
the arch, and used it at least in its simplest and least complex forms. We
are led to these conclusions not only by their restriction to small units
of construction--a restriction which is sure, sooner or later, to lead to
the discovery in question--but also by induction from the monuments we have
just been studying. The arches under the hanging gardens of Babylon, the
vaults of the sewers and gateways, the domes that covered the great square
chambers in the Ninevite palaces--all these were derived, we may be sure,
from the ancient civilization. We cannot believe that such consummate skill
in the management of a difficult matter was arrived at in a day. The purely
empiric knowledge of statics it implies could only have been accumulated by
a long series of more or less happy experiments.
Public-domain text, read in full here on John Shaqi.
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