A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
A study of those reliefs in which nothing but purely ornamental motives are
treated, leads us to exactly the same conclusion. Take for instance the
great bronze threshold from Borsippa, of which we have already spoken; the
rosettes placed at intervals along its tread are identical with those
encountered in such numbers in Assyria.
In the extreme rarity of stone in his part of the world the Chaldaean
architect seems to have practically reserved it for isolated statues, for
votive bas-reliefs, for objects of an iconic or religious character, but
nevertheless, we have sufficient evidence to prove that such decorative
sculpture as found a place in the Chaldaean buildings, did not sensibly
differ from that to which Assyria has accustomed us.
From all that we have said as to the distribution of stone, it will be
understood that we must turn to Assyria to obtain a clear idea of the
measures by which buildings of crude brick were rendered more sightly by
ornament in the harder material. We can hardly imagine an Assyrian palace
without those series of bas-reliefs which now line the walls of our museums
much in the same fashion as they covered those of Sargon's and
Sennacherib's palaces, and yet it is unlikely that in the beginning the
Assyrian palaces had these carved walls. The casing of stone and alabaster
must have been originally employed for more utilitarian purposes--to hide
the grey and friable material within, to protect it from damage, and to
offer a surface to the eye which should at least be inoffensive. The upper
parts of the walls would be covered with a coat of stucco, which could be
renewed whenever necessary, but for the lower part, for all that was within
reach of the crowds that frequented the public halls of the seraglio, who
passed through its gates or those of the city itself, some more efficient
protection would be required. The constructor was thus led to encase the
lower parts of his walls in a cuirass of stone imposed upon their brick
cores. The slabs of which he made use for this purpose varied between three
and ten feet in height, and between six and fifteen in width. Their average
thickness was about eight inches.
Public-domain text, read in full here on John Shaqi.
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