A history of art in Chaldæa & Assyria, Vol. 1 (of 2)Perrot, Georges
History
A history of art in Chaldæa & Assyria, Vol. 1 (of 2)
Perrot, Georges
Art -- Assyria -- History; Art -- Iraq -- Babylonia; Assyria -- Antiquities; Babylonia -- Antiquities
Every traveller tells that there is not a ruin at Babylon in which hundreds
of these enamelled bricks may not be picked up, and they are to be found
elsewhere in Chaldaea.[354] A certain number of fragments are now in the
British Museum and the Louvre with indications upon them leaving no doubt
as to whence they came.[355] As for the blocks of the same kind coming from
Nineveh and its neighbourhood they are very numerous in our collections. It
is easy therefore to compare the products of Chaldaean workshops with those
of Assyrian origin. The comparison is not to the advantage of the latter.
The enamel on the Babylonian bricks is very thick and solid; it adheres
strongly to the clay, and even when brought to our comparatively humid
climates it preserves its brilliancy. It is not so with bricks from
Khorsabad and Nimroud, which rapidly tarnish and become dull when withdrawn
from the earth that protected them for so many centuries. Their firing does
not seem to have been sufficiently prolonged.[356]
Necessity is the mother of invention, the proverb says. If there be any
country in which clay has been compelled to do all that lay in its power it
must surely be that in which there was no other material for the
construction and decoration of buildings. The results obtained by the
enameller were pretty much the same in Assyria and Chaldaea, and we are
inclined to look upon the older of the two nations as the inventor of the
process, especially as it could hardly have done without it so well as its
younger rival, and in this opinion we are confirmed by the superior quality
of the Babylonian enamel. It is possible that there may be some truth in
the assertion that most of the glazed bricks that have come down to us
belonged to the restorations of Nebuchadnezzar; but even supposing that to
be so, they show a technical skill so consummate and sure of itself that it
must then have been very far removed from its infancy. The fatherland of
the enameller is Southern Mesopotamia and especially Babylonia, where
enamelled bricks seem to have been used in extraordinary quantities.
The wall of Dour-Saryoukin, the town built by Sargon, has been found intact
for a considerable part of its height. As in the retaining wall of the
palace, coloured brick has there been used with extreme discretion. It is
found only over the arches of the principal doors and, perhaps, in the form
of rosettes at the springing of the battlements. The remainder of the great
breadths of crude brick was coated with white plaster.[357]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account